Browsing by Author "Gupalova, Elena"

Now showing 1 - 14 of 14
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    Children's album for piano in the works of mooldvan composers [Articol]
    (USARB, 2023) Gupalova, Elena
    The article examines children's piano works of the Moldovan composers from the point of view of their use in piano educational practice as children's cycles (albums and suites consisting of piano miniatures). For many Moldovan composers (L. Gurov, S. Lobel, V. Rotaru, Z. Tkach. A. Mulyar, B. Dubossarsky, O. Negrutsa, G. Ciobanu, etc.) the work on piano miniatures was a kind of "creative laboratory" that preceded the appearance of larger works – suites, sonatas, concerts, symphonies, etc. Priorities in the children's piano works of Moldovan authors are contrasting in style: slow lyrical plays (Lullaby, Doina, Prelude, Song, Poem, etc.) and mobile miniatures (Jock, Batuta, Ostinato, Comic, Scherzo, etc.) dance or scherzno -humour. These plays can greatly enrich the repertoire of children's music schools and lyceums, as they are distinguished by the Moldovan colour, national and genre proper- ties, peculiarity of the figurative-emotional system and the certainty of technical tasks.
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    Educaţia artistic-spirituală în contextul învăţământului contemporan: realizări, provocări, perspective: Materialele Conferinţei Ştiinţific- Practice Internaţionale din 30-31 octombrie, 2020
    (USARB, 2021) Cosumov, Marina; Crişciuc, Viorica; Bularga, Tatiana; Morari, Marina; Graneţkaia, Lilia; Gupalova, Elena; Tetelea, Margarita; Caliga, Marina; Glebov, Ana; Ciobu, Corin
    Lucrarea include materialele ştiinţifice prezentate la Conferinţa Internaţională „Educaţia artistic-spirituală în contextul învăţămîntului contemporan: realizări, provocări, perspective”, care a avut loc pe 30-31 octombrie, 2020 în incinta Universităţii de Stat „Alecu Russo” din Bălţi.
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    Piano creativity of Zlata Tcach in educational repertoire of Moldova [Articol]
    (USARB, 2018) Gupalova, Elena
    In this article the author observes the piano works of the Moldovian composer from the point of view of its meaning for the piano conception and pedagogical practice of Republic of Moldova. Proposed review of composer’s works for piano takes not only the published composition, but also its handwritten works as well as piano duets and transcriptions of the most famous symphonic works for the instrument (“Andries” ballet, “Pigeons in the Slanting dine” opera-suite). The author marks a great contribution of Zlata Tkaci into the culture-enlightening activity and educatio-nal process of republic, as head of the Section of Children’s Art of the Composer’s Union of Moldova and as an editor of the most national collections for children and young people.
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    Procesul de formare a reperoriului pianistic autohton în Republica Moldova în a doua jumătate a secolului XX (anii 40-60)
    (USARB, 2015) Gupalova, Elena
    The article describes the process of the evolution of the Moldavian contemporary music for piano, of the partial assimilation by the composers of the different styles of music, of the evolution of pedagogical activities, interpretative and editorial, from the Republic of Moldova in the second part of the XXth century. It also analyzes the introduction of the national pieces for piano in the educational repertory and for competition. The author traces out a correlation between pedagogical approval and concert performers of the pieces for the piano and their further publishing.
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    Studierea operelor pentru pian ale compozitorilor din Republica Moldova în clasa profesorului Ludmula Vaverco : (în baza analizei Suitei romantice de Alexei Stârcea) [Articol]
    (USARB, 2006) Gupalova, Elena
    The article covers the features of pedagogical work with the national piano repertoire based on the study of “Romantic Suite in the form of variations” by A. Stârcea in Professor L. V. Vavercos class, one of the leading teachers of the Republic of Moldova. The special attention of the teacher is paid here to the artistic image, the rhythm, and the techniques which are close to the art of lautars as well as to the comparison of each variation to the Moldovan national genre stages.
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    Utilizarea repertoriului pianistic autohton în procesul didactic din Republica Moldova [Articol]
    (USARB, 2017) Gupalova, Elena
    The present article arguments the necessity of including of such works in the pedagogical repertoire with an aim of solving of a lot of didactic problems of art - aesthetic and professional education of pianists. Research offers some recommendations on studying compositions of the modern Moldavian authors in a class of a special piano of medium level musical institutions of the Republic of Moldova. Studying of the national repertoire for piano should promote acquaintance of pupils to national culture and art as a whole, and also to development of the whole spectrum of performing techniques and devices.
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    Жизнь, отданная искусству: секреты педагогического и исполнительского мастерства Людмилы Ваверко [Articol]
    (USARB, 2021) Gupalova, Elena
    This article is dedicated to the memory of the teacher, Master of Art, L. V. Vaverco (1927-2020) - one of the most notorious teachers of the Republic of Moldova, who made a huge contribution not only to the formation and development of the national piano school, but also to the creation of traditions of local interpretation. In addition to approving the concerts of composers from the Republic of Moldova, Ludmila Vaverco helped publish many songs by local authors, working as a compiler and editor of national music collections. Also important is the pedagogical aspect of popularization by L. V. Vaverco of the piano work of composers from the Republic of Moldova. She introduced the works of local authors as teaching material together with the students of her class and also used them when she led the Special Piano Department of the Academy of Music, Theater and Fine Arts between 1993-2002.
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    Инновационные стратегии в управлении системой образования в конце xx века: деятельность учебно-методического кабинета при Министерстве Культуры Республики Молдова [Articol]
    (USARB, 2018) Gupalova, Elena
    In this article the author considers the essential aspects of Methodic Department activity that is considered to be the most important coordinative center, founded at the beginning of the 70’s of the twenty century in the Minister of Culture of Republic Moldova. His achievements in the sphere of publication of Moldavian music collections for all the chains of Republic professional music institutions (music schools, colleges, сonservatory) are particularly distinguished. The role of I.Stolear as the first performer of some competitive works of Moldavian authors (V.Rotaru “Expromt”, I.Macovei “Tokkata”, etc.), and her contribution to the expansion of the of the national repertoire for the beginner pianists is highlight.
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    Использование отечественного фортепианного репертуара в музыкальных школах Республики Молдова [Articol]
    (USARB, 2021) Gupalova, Elena; Panfili, Tatiana
    This article analyzes the specifics of studying the national piano repertoire in children's music schools. The peculiarities of the fiddle style are the basis of Moldovan piano music, where the piano imitates the orchestra with the corresponding timbre analogies.The national art models are best transmitted through the pieces, ie through the small piano works. The article includes the musicological analysis of the pieces of two Moldovan authors: Solomon Lobel ―Poem‖ and ―Bătuta‖) and Gheorghe Neaga (―Doina‖ and ―Toccata‖). These compositions are very well known in the Moldovan practice of piano studies, because in their structure predominate elements related to the traditions of fiddle technique.
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    Некоторые дидактические проблемы изучения национального репертуара в классе специального фортепиано [Articol]
    (USARB, 2005) Gupalova, Elena
    The present article entitled “Some didactic problems in the study of national repertoire in a piano class” arguments the fruitful usage of different musical works of Moldovan composers and aims at solving a range of spiritual and aesthetic, artistic and professional problems in educating good pianists. The reflection of national folk motives in piano musical works helps students to acquire professional skills, to build up a rich spiritual world, aesthetic taste and artistic imagination. The repertory’s lists of piano miniatures which are compiled by the author of this article for senior students of high schools and art colleges will contributes to the popularization and implementation in pedagogic training of such works.
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    Некоторые особенности фортепианного стиля Геннадия Чобану [Articol]
    (USARB, 2005) Gupalova, Elena
    The author of the article “Some peculiarities of Gh.Ciobanu’s piano style” brings into sharp focus Gh.Ciobanu’s artistic creation. He is an outstanding Moldavian composer who harmoniously synthesizes in his compositions typical procedures and characteristic features of the various musical styles of the past and the present for the proof of own ideas, not resorting to citing or to stylization. Gh.Ciobanu, best known as a wonderful pianist, teacher and a composer-promoter, is the head of the Union of Composers ad Musicologists of Moldova since 1990. Due to his numerous concerts he contributes a lot to the spread and implementation in practice of his own musical works for piano which represents a considerable contribution to the formation of aesthetic taste and contemporary thinking of young people. He also works hard to bring up high spiritual criteria and orientation of young musicians.
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    Особенности изучения фортепианных произведений Олега Негруцы: „Баллада” e-moll из сборника „Весеннее настроениe” [Articol]
    (USARB, 2021) Gupalova, Elena; Kuzminova, Marina
    This article is dedicated to the special nuances of studying the piano works of Oleg Negruta in the upper classes of music schools in the Republic of Moldova. His piano compositions are high quality examples of modern Moldovan music that meet the repertoire standards of music education. Following the example of several works by the composer (Ballad in e-moll and Concert for Youth for piano and orchestra, minor), the article explores the features of their study and the methods of overcoming the difficulties of interpretation. O. Negruta's piano compositions have a unique Moldovan flavor, which arouses a sincere interest in his work and a call to include his compositions in the student curriculum.
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    Профессор Людмила Ваверко - редактор-составитель сборников фортепианных миниатюр композиторов Республики Молдова : [Articol]
    (USARB, 2007) Gupalova, Elena
    The article analyses the work of Professor L. Vaverco as editor, the collector of piano miniature collections of the Moldavian composers, which have been published in the local publishing house in the 70's of the XX century. The specificity of her pedagogical and performing editions, the professional selection criteria of domestic repertoire especially allocated into the mentioned collections are discussed, as well as its further introductions in the pianist practice of the Republic of Moldova.
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    Фортепианные произведения В. Ротару в концертно-конкурсном и педагогическом репертуаре Республики Молдова [Articol]
    (USARB, 2016) Gupalova, Elena
    In this article, the author describes the pianistic heritage of composer V. Rotaru from the perspective of its importance for the concert and pedagogical activity in the Republic of Moldova. Piano miniatures that are different in variety of artistic ideas and content are included in this anthology. The part of the collection is represented by mobile works, which contain significant technical difficulties and are often used in concert and contest repertoire of Moldova (Expromt, Humoresque, Toccata, cycle Improvisations etc.). Another part of lyrical cantilena piano pieces by the composer is characterized by sincere warmth that is often associated with the landscapes of Moldovan nature. (Doina, Silhouettes, Preludes cycle et al.). All the works have a number of teaching and performing features, typical figurative and emotional system, evident technical issues and based on the national folklore. All this makes them indispensable in pedagogical and concert competitive repertoire in the special piano course in the secondary and higher educational institutions of the Republic of Moldova.