Browsing by Author "Costin, Iraida"

Now showing 1 - 4 of 4
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    Creangă şi proza basarabeană: istoricul problemei [Articol]
    (USARB, 2020) Costin, Iraida
    In the history of Romanian literature in Bessarabia Creangă's modelling role is exem¬pli¬fied especially during the turning periods, when the concept of literature is radicalized (years 20-30, 60, 80). Across different searches and wanderings of prose writers, namely, the organicist perspective of the structure of the Bessarabian literary phenomenon elucidates the importance of the Creangă model in overcoming the different complexes, among which, especially, of the narrow-minded Romanian.
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    Elementul carnavalesc în „Povestea cu cocoșul roșu” de Vasile Vasilache [Articol]
    (USARB, 2017) Costin, Iraida
    The carnivalesque occupies an important place in Mikhail Bakhtin's dialogic theory. In the totalitarian system, the carnivalesque has, ultimately, a subversive character. The familiar language of all European peoples, especially the insulting and sardonic one, abounds also nowadays in carnivalesque traces, as well as the insulting and mocking gesticulation is full carnivalesque symbolism. A novel that is remarkable through an original approach from the carnivalesque perspective of peasant life problems, is “Povestea cu cocoşul roşu” (“The Red Rooster Story”) by Vasile Vasilache.
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    Ion Creangă și proza basarabeană [Articol]
    (USARB, 2016) Costin, Iraida
    This article is focused on examining Creangă's model and its impact on the Bassarabian prose. The world of Creangă's work is an active universe, where labour is the first value. People integrate themselves into it, contributing to the production of material or spiritual goods, necessary for the social group. Creangă is a catalyst model at both modernists and postmodernists. At various stages of Bassarabian prose evolution, Creangă remains a standard of artistic transfiguration.
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    Paul Goma: (r)evoluţia modelului [Articol]
    (USARB, 2019) Costin, Iraida
    This paragraph examines the impact of Creangă’ narrative modelon Paul Goma’s prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story „Amintiri din copilărie” by Ion Creangă and the novel „Din calidor”by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.