Browsing by Author "Abramciuc, Maria, conducător şt."

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    Aspecte poetice în proza scurtă a lui George Meniuc [Articol]
    (USARB, 2019) Chişlari, Olga; Abramciuc, Maria, conducător şt.
    Dans cet article, nous avons l'intention d'évoquer et d'expliquer les manifestations poétiques dans la courte prose de George Meniuc. Quelques signes des espèces poétiques comme l’expression directe, à la 1e personne, s’ajoutent à la prose épique, et a fréquence des digressions s'intensifie. La courte prose de George Meniuc contient un nombre impressionnant de suggestions, de parenthèses, de réflexions lyriques qui lui confèrent une individualité distincte, ce qui nous permet de l’adapter à un genre particulier, surnommé "prose lyrique".
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    Corpul şi corporalitatea: spaţii de reflectare [Articol]
    (USARB, 2017) Cojocaru, Ana; Abramciuc, Maria, conducător şt.
    Notre communication est basée sur la présentation de l’inventaire des domaines qui traitent un sujet aux aires connotatives complexes – le corps et la corporalité. Afin de donner une vue d’ensemble du phénomène, on évaluera quelques disciplines, dans le contexte desquelles le sujet a connu des approches intéressantes. On examinera et on expliquera les projections du corps et de la corporalité en anthropologie, en religion, en théâtrologie, en histoire, en nous concentrant plus particulièrement sur l’espace littéraire. Dans le domaine littéraire, Gheorghe Crăciun, dont les romans contiennent des expériences corporelles condensées, est celui qui a aménagé le phénomène de la corporalité dans l’écriture postmoderne, en le projetant de l’espace de la perception dans celui de la littérature, du texte.
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    Scriitura narcisistă: delimitări terminologice [Articol]
    (USARB, 2017) Malinovschi, Victoria; Abramciuc, Maria, conducător şt.
    The myth of Narcissus is a symbol of the contemporary era. The phenomenon, generated by this myth, denotes the creator`s choice for absolute individualism. The self-contemplation in poetry is manifested through artistic state focused on its own linguistic resources, on its own discourse. Therefore, the relation of the writer with his own ego, with the world and with others, derives from here.
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    Statutul naratorului în „Tainele inimii” de Mihail Kogălniceanu [Articol]
    (USARB, 2019) Juncu, Lilia; Abramciuc, Maria, conducător şt.
    The article evokes the narrator's functions in the beginning of the novel The Mysteries of the Heart by Mihail Kogălniceanu. Omnipresent and omniscient, the narrative court is dominant in the text – by revelation details, excessive communication of information and direct dialogue with the potential reader. In this way, the narrator monopolizes the discourse, which consists, in particular, of ample descriptions of the public garden Copou and other sequences from the another time space of Iași town. Even in the fragments where the scene enters characters, their role is insignificant, being reduced only to short replies. So, the narrator of Mihail Kogălniceanu, who sometimes confuse himself with the author (the narrator ego overlaps with the biographical), having also the director's conscience, assumes exclusively the informative function. Consequently, the text becomes a reporter, the narrator seriously assuming the position of reporter, committed to observe and to convey, to the smallest details, images of his contemporaneity.