Browsing by Author "Abramciuc, Maria"

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    „Construcţii identitare. Reverberaţii ale modelului cultural francez în context european şi universal”, colocviul şt. intern. (2013 ; Bălţi) : Vol.2 : Literatură şi Studii culturale
    (USARB, 2014) Vrabie, Diana; Abramciuc, Maria
    Prezenta serie, în 3 volume, s-a constituit pe baza lucrărilor susţinute în cadrul Colocviului ştiinţific internaţional „Construcţii identitare. Reverberaţii ale modelului cultural francez în context european şi universal”, organizat la 19-20 aprilie, 2013, în colaborare, de Catedra de Literatura Română şi Universală, Facultatea de Filologie, Universitatea de Stat Alecu Russo, Bălţi; Catedra de Limba Română pentru Studenţi Străini & Catedra de Jurnalism şi Ştiinţe ale Comunicării, Facultatea de Litere, Universitatea Alexandru Ioan Cuza, Iaşi; Centrul de Studii Multilingvistice & Interculturale, Facultatea de Litere, Universitatea Spiru Haret, Bucureşti & Catedra Fernand-Dumont, Institutul Naţional de Cercetări Ştiinţifice, Montréal. Materialele publicate în acest volum reflectă punctul de vedere al autorilor. Responsabilitatea pentru conţinutul ştiinţific şi etic al fiecărui articol aparţine în exclusivitate semnatarului.
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    Drama copilului în contextul migraţiei: proiecţii în romanul Kinderland de Liliana Corobca [Articol]
    (USARB, 2018) Abramciuc, Maria
    In our article, we follow and comment on the drama of abandoned children, reflected in the novel Kinderland by Liliana Corobca. Inspired by the migration phenomenon that is so common in our country, the book renders the soul torture to which children whose parents go to work abroad are condemned. For the most part, the novel is conceived in the form of a monologic discourse written in the first person - a disturbing message to the parents of the character Cristina Dumitrache, a twelve-year-old girl. The subject of the novel involves some vivid social and psychological emphasis. The universe of a village, evoked by the proser, becomes, by extension, the image of the entire Moldovan space, where wanders indifference and apathy of the adults in relation to the destiny of the growing generation. The proser places various actors “on stage’, whom she designs rigorously and in detail. A world full of shocking cases transpires at the forefront of the confessions of the child character, the girl engaged with so much abnegation in adult life, assuming prematurely the whole spectrum of parental duties, strongly manifesting her feelings of maternal protection to the two brothers who are left in her care. The exhausting works she performs in her parents’ place, the dramatic experiences that the protagonist of the novel passes through form her will and help her to mature early. The girl is thus initiated in various aspects of parenting: the care and education of young children, keeping the house clean and maintaining the psychological climate, etc. The child takes almost instinctively the mission of the two parents, working abroad – the father in Iakitia and the mother in Italy. The content of the novel Kinderland is in the form of a collage: besides the many sequences cut out of her brothers' and her daily life, the narrator character also evokes dramatic events in the lives of some abandoned children, which are really terrifying. The message of the writing directly expresses the serious impact of abandonment on the mental and physical health of children and sounds like a genuine indictment addressed to irresponsible parents and to the entire society in the Republic of Moldova.
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    Elemente ale livrescului în proza paşoptistă [Articol]
    (USARB, 2018) Abramciuc, Maria
    Nous abordons, dans cet article, le rôle des éléments livresques dans la création des prosateurs roumains du XIXème siècle. En tant que manifestations de la mémoire culturelle, ces extraits (la plupart ayant leur origine dans la littérature universelle) sont une partie organique du tissu des textes épiques roumains, axés particulièrement sur le fait mémorialistique. Les séquences respectives résument ou nuancent, dans le contexte, la situation épique, complètent le profil du personnage, ou encore, elles dénoncent l’attitude ou l’état d’esprit du narrateur, D’une grande importance dans l’économie des textes d’époque (croquis, nouvelles, lettres, journaux ou mémoires de voyages) et assemblés harmonieusement dans les structures épiques, ces fragments – cités dans leur lange d’origine, parfois en tant 166 qu’épigraphes, avec le nom de l’auteur, ou comme paraphrases et allusions parodiques – sont efficaces sur le plan de la forme et du contenu: soit parce qu’ils témoignent de l’érudition de l’auteur et de son dialogue avec des auteurs appartenant à d’autres espaces littéraires, soit parce qu’ils dénotent la concision et la plasticité de l’expression. Encadrées par Gérard Genette dans l’espace de la transtextualité, ces connexions aux œuvres notoires des littératures européennes constituent une modalité productive de la constitution de l’énonce épique. Dans les conditions où les traditions narratives autochtones étaient pratiquement insignifiantes, les expériences livresques présentaient un avantage pour les jeunes écrivains roumains qui y découvraient des modèles ou même des impulsions génératives.
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    Factual şi ficţional în Soveja de Alecu Russo [Articol]
    (USARB, 2006) Abramciuc, Maria
    L’article en question représente une étude de la structure du texte Soveja, le journal d’exilé d’Alecu Russo, écrit en français et publié après sa mort. On y atteste deux niveaux de la narration: factuel et fictionnel. Le premier c’est l’espace de la biographie, le deuxieme renferme les irisations de l’imagination de l’auteur.
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    Istoria literaturii române (Pașoptism și postpașoptism) : Note de curs
    (USARB, 2012) Abramciuc, Maria
    Cursul Istoria literaturii române (paşoptism şi postpaşoptism) este o disciplină de specialitate din categoria celor de filologie română. Studierea lui asigură unitatea şi continuitatea cursului major Istoria literaturii române şi, prin urmare, le formează studenţilor o imagine integrală a procesului literar românesc din sec. al 19-lea.
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    Manuscrise de Dimitrie Balica comisul
    (Biblioteca Ştiinţifică USARB, 2012) Marşalcovschi, Teo-Teodor; Abramciuc, Maria; Harconiţa, Elena
    Volumul include două lucrări: romanul Polidor şi Hariti (1843), transpus din elino-greacă în română, şi Oareşcare anegdoturi folositoare pentru jiunime aflati iantr-un poem din ianvechime tipăritu (1848, miscelaneu ca formă), selectate din „Bessarabia”, utile pentru „tineri şi tinere daco-romano-moldavi”. Manuscrisele au fost redactate la Bălţi de comisul Dimitrie Balica, autorul oferindu-le basarabenilor, dar nu numai, o limbă română „foarte frumoasă şi dulce la cetire”. Textul romanului include o mulţime de scene cu acţiuni surprinzătoare, pline de dramatism şi dragoste curată. În final, adevărul triumfă. Volumul este recomandat specialiştilor de limba şi literatura română, studenţilor-filologi, elevilor şi tuturor celor interesaţi de trecutul culural al ţinutului.
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    Proza lui Constantin Negruzzi: relaţia cu modelele [Articol]
    (USARB, 2016) Abramciuc, Maria
    The article studies from a comparative perspective, the relation of C.Negruzzi’s prose to that of P.Merimee although different in volume, the epic works of the two narrators, who lived and created approximately in the same literary time, present similarities, which are manifested on the level of narrative techniques, of plot development (the construction of the introduction, character portrayal, etc.) and that of expression. The demonstration that excludes any plagiarism or imitation, that, being the initiator of indigenous artistic narrations the Romanian author pertains to the models with which he becomes familiar as a result of his translator’s experience, yet managing to work out authentic works. According to the well-known theoritician of comparativism, Cioranescu, this is an example of influence, as „an autonomous artistic” result of, a contact relation.
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    Volumul "Meditaţii poetice" (Meditations poetiques) de Alphonse de Lamartine şi afirmarea meditaţiei în lirica românească pre-eminesciană [Articol]
    (USARB, 2014) Abramciuc, Maria
    The appearance of the volume Poetic Meditations (1820) written by Alphonse Lamartine determined the promotion of a style with iradiant effects in the most lyrical areas of the Europe of those times. Very soon, the lamartinian model is imposed in the european literature as a founding model generating after 1830 a modification of register in the Romanian literature which as is known was at an initial stage. Tangencies with the French romantic poetry can be easily detected in the forty-eighter lyric era. The sensibility of Ion Heliade Rădulescu, Vasile Cârlova, Grigore Alexandrescu, Dimitrie Bolintineanu and others resonated at the pulsations of the lamartinian verse, with its nostalgic inflections , an augmented sense of the nature and the cosmic. One thing is certain, that the lamartinian recipe became more and more useful for the above-mentioned Romanian poets who recurred to it in the absence of a vernacular poetic model. The promotion of this lyric concept ocurred due to the translation by Ion Heliade Radulescu of a number of meditaions from the lamartinian volume, which accelerated the adoption of the stylistic formula by the Romanian poets of the first romantic wave and the rapid evolution of meditation which compared to some pre-modern compositions is contouring its form, amplifying the themes and multiplying the imagistic structures. Right from its inception, the Romanian meditation followed the dominant paradigms of the lamartinian model, productive to the extent that one author or another learned and accepted it. The strong resonances which the volume Poetic Meditations has produced in the artistic awareness and the sensitivity of the forty-eighters poets were felt immediately: Le Son, L’isolement, Le Lac, Le Golfe de Baya, L’Automne and others became models for Romanian authors, the poets taking the lyrical schemes, thematic and image registers, the mood, the manners of artistic representation, the musicality of the forms etc., which led to the imposition of a meditative formula in the pre-eminescian lyrics, illustrated by the experience of profound melancholy, the mood of sorrow and pain. The contemplative predisposition of the the lyrical instance, this position of a damned , the subjectivity that addresses the landscape elements often made up by mountains, forests and water – all descended explicitly in Lamartine.